Produced by The Lyric Stage Company of Boston
Directed by Spiro Veloudos
One 10,000 lumen DLP and four 5500 lumen DLP projectors
Controlled by Dataton Watchout 5
Produced by Merrimack Repertory Theatre
Directed by Sean Daniels
One 9500 lumen laser DLP and one 7500 lumen laser DLP projector
Controlled by Dataton Watchout 5
Produced by Merrimack Repertory Theatre
Directed by Sean Daniels
Two 5500 lumen DLP projectors
Controlled by Dataton Watchout 5
Produced by New Repertory Theatre
Directed by Judy Braha
One 12,000 lumen DLP and two 5500 lumen DLP projectors
Controlled by Dataton Watchout 5
Produced by Florida Repertory Theatre
Directed by V. Craig Heidenreich
Two 11,000 lumen DLP projectors
Controlled by Figure 53 QLab
Produced by Theatre Squared (Fayetteville, AR)
Directed by Benny Sato Ambush
One 12,000 lumen DLP and two 8200 lumen DLP projectors
Controlled by Figure 53 QLab
Produced by the The Lyric Stage Company of Boston
Directed by Spiro Veloudos
One 10,000 lumen LCD and two 5500 lumen DLP, image mapped to irregular scenery
Controlled by Dataton Watchout 5
Produced by SpeakEasy Stage Company
Directed by Paul Daigneault
One 10,000 lumen DLP projector image mapped to scenic elements
Controlled by Dataton Watchout 5
Produced by Brandeis Theater Company
Directed and Choreographed by Susan Dibble
Two 10,000 lumen LCD projector
Controlled by Dataton Watchout 5
Produced by Underground Railway Theater
Directed by Elaine Vaan Hogue
One 12,000 lumen LCD projector
Controlled by Dataton Watchout 5
Produced by Sleeping Weazel
Directed by Ken Prestinizi
Two 5,000 lumen DLP projectors image mapped to scenery
Performers interacted with numerous onscreen, pre-recorded performances
Controlled by Dataton Watchout 5
Based on the novel by Stephen King
Produced by SpeakEasy Stage Company
Directed by Paul Melone
Two 10,000 lumen LCD and three 4000-5000 lumen DLP projectors mapped and edge blended to scenery
Controlled by Dataton Watchout 5
Produced by The Boston Conservatory
Directed by Paul Daigneault
Two 7,000 lumen LCD, imagery tracked to moving scenery
Produced by SpeakEasy Stage Company
Directed by Cliff Fannin Baker
Three 10,000 lumen LCD and two 7,000 lumen LCD
Controlled by Dataton Watchout 5
Media content included numerous Photoshop composites and handcut stopmotion animations.
Produced by The Lyric Stage Company of Boston
Directed by Spiro Veloudos
One 10,000 lumen LCD, one 5000 lumen LCD and two 5000 lumen DLP, image mapped to irregular scenery
Controlled by Dataton Watchout 5
Produced by the Boston Lyric Opera
Directed by Michael Cavanagh
Two Christie HD10K-M 10,000 lumen DLP, edge blended
Controlled by Dataton Watchout 5
Produced by Brandeis Theater Company
Directed and Choreographed by Susan Dibble
Original Sculptures by Tory Fair
Christie LX-1000 10,000 lumen LCD controlled by Dataton Watchout 5
Produced by SpeakEasy Stage Company
Directed by Paul Daigneault
Two 7000 lumen LCD and two 5000 lumen DLP, edge blended and image mapped to irregular scenery
Controlled by Dataton Watchout 5
Produced by Emerson Stage
Directed by Benny Sato Ambush
Equipment: (2) 10,000 lumen LCD, (1) 6500 lumen LCD, (2) High End DL-2 Moving Head Projector, (11) Television
Controlled by Dataton Watchout 5
Media content included original news footage and research, graphic title screens
Produced by The Lyric Stage Company of Boston
Directed by Spiro Veloudos
One 10,000 lumen LCD and two 5000 lumen DLP projectors
Controlled by Dataton Watchout 5
Media content included extensive custom video footage
Produced by The Huntington Theatre Company
Directed by Maria Aitken
Two 10,000 lumen LCD projectors image blended to cover rear-projected backdrop utilizing first-surface mirrors
Controlled by Dataton Watchout system
Media content included custom Photoshop composites and original photography
Produced by SpeakEasy Stage Company
Directed by Paul Daigneault
One 10,000 lumen LCD and two 6500 lumen LCD projectors covering a 9’high x 42’ long rear projection screen with limited backstage space
Controlled by Dataton Watchout system
Media content included many Photoshop composites and motion graphics
Striking 12 by Brendan Milburn, Rachel Sheinkin, and Valeria Vigoda
Produced by SpeakEasy Stage Company
Directed by Scott Sinclair
Three 4000-5000 lumen projectors mapped to irregular surfaces
Controlled by Dataton Watchout system
Media content included extensive motion graphics and original photography
Produced by the Boston College Theatre Department
Directed by Stuart Hecht
One 12000 lumen LCD projector mapped to moving scenery
Controlled by Dataton Watchout system
Media content included live camera feed, numerous Photoshop composites and Brechtian title screens